South London's Ezra Collective show the face of jazz is changing. Ezra Collective ’s debut album comes in as a kind of positive digestion system, leeching off your falsified happiness and replacing it with their authentic alternative. Dylan Jones’ playful melody on the latter, Bossa Nova-inspired track dances with us, and is impossible not to move to. Their sound nods respectfully to a classic jazz footprint, celebrating the originators whilst also carving a path solely their own. Live reviews. With a sound that resists definition, the band ’ s influences range from jazz, hip hop, grime and afrobeat to reggae . Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk. London 5-piece Ezra Collective are proving themselves as a harmonious tour de force. The long-awaited full release from London five-piece Ezra Collective has arrived, and You Can’t Steal My Joy offers a gateway for mainstream music lovers to the UK jazz scene as the group incorporate a wide array of influences to produce a brave performance... ©2019 by Jazz Revelations. Pioneering the new-wave of UK jazz music. Shop for Vinyl, CDs and more from Ezra Collective at the Discogs Marketplace. Event Review: Ezra Collective @ Patterns (Brighton; Wednesday 14th November 2018) Every now and then, but not so often as to make you blasé, you can find yourself at a gig that will truly leave you speechless and absolutely quivering with the sheer joy of the experience, such is the level of the musical dynamics on show. Check out Chapter 7 by Ezra Collective on Amazon Music. The talented pianist, who has had solo success with his critically-acclaimed 2018 album Starting Today, glides over the ivory to provide an introspective piece to remember. They marry the delicate technicalities of jazz with afrobeat & hip hop, tied together by a sound that’s unmistakably London. As the title of that freshly announced album suggests, ‘You Can’t Steal My Joy’ is a record from a cheery and supremely chill bunch. Ezra Collective in fact rubbed shoulders with London Afrobeat combo KOKOROKO on the We Out Here compilation for Brownswood Recordings, and do so again on closing track: a frenetic cover of Fela Kuti ’s “Shakara”, filled with those distinctive horns and staccato guitar. Clash In an age of hostile austerity manufactured by moral panic-inducing powers, Ezra Collective’s debut effort is a polyrhythmic balm for disillusioned youth seeking a … Fri 28 Jun … Limited Edition Ezra Collective US Tour T-Shirt $26.99. Metacritic Music Reviews, You Can't Steal My Joy by Ezra Collective, The debut full-length release for the five-piece British jazz collective features guest appearances … We'll play the same beat every night for weeks, and then you switch it up slightly, and that then changes the whole song up for good. Explore releases from Ezra Collective at Discogs. This was one such gig. Robbie Wojciechowski . Join the mailing list to keep up with the latest Whatever gives you pleasure, be it music, art, food or another, it is a very key component of our lives. You can constantly feel at home with them and experience that comfortable atmosphere which smoothly makes you at ease. I was lucky enough to witness Ezra Collective's superb music in quite an intimate venue. From the opening bars of ‘The Philosopher’, there was an instantaneous collective sense of awe. It is clear these guys have got the chops to share a stage with the world's best hip-hop jazz players. 8.0 | Clash Event Review: Ezra Collective @ Patterns (Brighton; Wednesday 14th November 2018) Every now and then, but not so often as to make you blasé, you can find yourself at a gig that will truly leave you speechless and absolutely quivering with the sheer joy of the experience, such is the level of the musical dynamics on show. This was one such gig. The pace is then slowed all the way down with the dub-induced “Red Whine”, where they demonstrate not only their synergy, but also their versatility with a nod to the vibrant Caribbean culture in London. Alongside the humility, the love of music as a whole and the acknowledgement of their heritage came across very keenly. Our editorial content is not influenced by any commissions we receive. Listening to You Can't Steal My Joy, you can tell that Ezra Collective is capable of playing any kind of music. Introduced by “Space Is The Place”, the band, with trumpeter Dylan Jones on lead, pay homage to jazz legend Sun Ra with this eyes-closed, sway-inducing piece dipped in neo-soul. Join the mailing list to keep up with the latest Every now and then, but not so often as to make you blasé, you can find yourself at a gig that will truly leave you speechless and absolutely quivering with the sheer joy of the experience, such is the level of the musical dynamics on show. Both preemptively released as singles, anticipation for this project has been consistently growing since last year. Wednesday 14th November, 2018 “This is about joy and happiness and celebrating everything that’s good” proclaims Femi Koleoso. A melange of EPs and singles amidst growing live performances were enough to satiate fans for the past few years, but now our prayers have been answered—and they did not disappoint. Femi and Armon-Jones also locked their stare on a number of occasions, exchanging both exhilarating virtuosity and quirky facial expressions in equal measure. Unless you were the man who told me, bizarrely, that he “doesn’t like virtuosity in music”, you were going to…, Colours rise from dark contours as a London jazz renaissance takes form. Your e-mail address will not be passed on to anyone! Ezra Collective do things differently. Ezra Collective will perform on the West Holts stage at this year’s festival. It's definitely a more up-tempo album with highlights being Red Whine for its sultry, reggae vibes, Sao Paulo for its south of the border feel, and the album's namesake, You Can't Steal My Joy, for its soulful jazz groove and awesome solos. On “Why You Mad?”—a number that commands movement and dancing—bassist TJ Koleoso’s urgent strums are interjected by a tumultuous flurry of energy from James Mollison on sax and Femi Koleoso on drums—a sound easily recognisable as that of Ezra Collective. This explains why his twelfth annual worldwide awards sold out quickly and why many consider him an ambassador for world music, bringing new global concepts back…, It’s always good to go back to the Family. Photograph: Dan Medhurst. Read and write album reviews for Juan Pablo: The Philosopher - Ezra Collective on AllMusic Familiar names such…, Gilles Peterson has become synonymous with the continued revelation of the latest talents that fuse non-traditional jazz with musical influences from across the world. Ezra Collective are virtually impossible to dislike. An Ezra Collective gig should be on everybody’s bucket list. Ezra Collective Don't Steal My Joy Official T-Shirts $25.99. Tags There was also a mention given to the creative process and its place in this crazy, chaotic world that we currently inhabit. COMPLEX participates in various affiliate marketing programs, which means COMPLEX gets paid commissions on purchases made through our links to retailer sites. Upon accidentally tossing a stick behind him, gratitude was immediately bestowed upon the young lady who returned it. However, Ezra Collective would probably be in equally high spirits had no one played the single. 8.0 | NME. With a tenor-trumpet core, Ezra Collective skilfully blend traditional tropes with a genre-fluid plurality, symbolic of their upbringing in the metropolis. In so much as the south London jazz scene has erupted in the last twelve months, the young five-piece has been the pulsing heartbeat of the afrobeat and grime fusion at its core. Every single member of the collective is phenomenal at what they do. Armon-Jones weaved his magic on the keyboard with a glorious solo, before they returned to the rousing head, a refrain that was repeated later on. A celebration of jazz, without being overtly reverential towards older conventions, this is a collection that draws on – and adds to – the genre's new wave Read Review. After Ezra Collective took the EP on a successful tour across the U.K and Europe and completely sold out of the vinyl, Juan Pablo: The Philosopher went on to win the accolade of Best Jazz Album at Gilles Peterson’s esteemed Worldwide Awards in January 2018. Live, though, Ezra Collective take on a different energy. I don’t know if that’s because of the music they play, attitude they have, or good vibes they give out, but every…. Ezra Collective’s debut album is a testament to all things London; not only the multicultural heritage that is so evidently ingrained within the music, but in the energy that is consistent throughout this project. Tenor saxophonist Shabaka Hutchings directs the way, bringing together a collection of his most in-demand friends on the new-jazz scene. Patterns, Brighton. Ezra Collective. Ezra Collective are also a humble group. The release, a special double A-side single, also follows the band’s first visit to Australia earlier this year, beating the pandemic upheaval to play Golden Plains and Womadeliade. You Can't Steal My Joy Double Vinyl Sold Out. Ezra Collective. Ezra Collective You Can't Steal My Joy Enter the Jungle Ezra Collective bring the fire on a stunning debut album, both an incredible cross section of London life and a … The music itself is great, Ezra Collective is paving their own way in the new age of Jazz and I think this LP would be a great addition to any collection. Above all, the beauty of Ezra Collective’s music lies in its capacity to unite generations and resonate with an audience of late-teens, young professionals and fifty-somethings in equal measure. Technically stunning, universally accessible and undeniably feelgood, the Collective’s show firmly exploited ‘that Friday feeling’. Feeling both early and late, We Out Here captures the tones of this evolving shape. A primer on London’s bright-burning young jazz scene, this new compilation brings together a collection of some of its sharpest talents. You Can’t Steal My Joy has been a long time coming—the South London-hailing band have spearheaded the burgeoning, youthful jazz movement for far too long without an album. There is a such a sense of joy and exuberance to their music that it’s hard not to get caught up in it all. In the cosy confines of Patterns, we had some thrilling sounds from this scintillating quintet, and all tied up with an earthy reality, a healthy dose of good grace and plenty of humour. Mollison’s broad tone introduced us to Sun Ra’s classic ‘Space Is The Place’, before the rest of the band filled the room with this very melodic version. He then ushered audience members into that space. They are unbelievably talented musicians with an indubitable bond - it's a total pleasure to watch them play. It is remarkably brave for an act as new as Ezra Collective to present its audience with so many contrasting styles. The glorious Love Supreme returned to the prime Sussex pastures of Glynde for its seventh year, and what a return it was. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page. Listening to Can’t Steal My Joy and these two instrumentals it isn’t hard to see why Ezra Collective are amongst the scene’s most in demand acts. Ezra Collective pride themselves on vibrant, energetic and dance-heavy live shows—no matter the nationality or age of the crowd; even the more relaxed “People Saved” is not exempt from this culture. EP Review: Ezra Collective – Juan Pablo: The Philosopher Juan Pablo: The Philos o pher is the h otly anticipated second EP by London-based Ezra Co ll e ctive . On record, the group's fusion of jazz, reggae, afrobeat, and heaven knows what else is an inspiration, with a string of EP and single releases stamping out a formidable aesthetic. With such a startling array of talent on offer, it was a mighty challenge to stay in one spot for too long for fear of missing out elsewhere…. 17:01 24th April 2017. “Everyone has an emotion or feeling that they evoke. You Can't Steal My Joy Steal My Joy CD Album Sold Out. Ezra Collective pride themselves on vibrant, energetic and dance-heavy live shows—no matter the nationality or age of the crowd; even the more … Carner’s unique, liquid-like flow weaves itself into the equally laid-back Ezra track, a fitting aesthetic before we are once again urged to dance! Just sign up to our FREE monthly newsletter. With only two lyrical cuts on the album, we’re afforded an interlude from the restless rhythms: featuring British stars Jorja Smith and Loyle Carner, on “Reason In Disguise” and “What Am I To Do?” respectively, the Collective are given a break of sorts from the spotlight. "When you watch us play, you are watching us write those songs as we perform them and improvise them each night. “There’s no boundaries to how you express yourself – dance, shout, be mad quiet and stare – … Live Review: Ezra Collective at Ronnie Scott's, London, 22/04/17. Click here for instructions on how to enable JavaScript in your browser. Arguably one of the best on the album, “Shakara”, a collab with afrobeat-inspired band KOKOROKO, brings this London-centric long-play full circle. You get the sense that they can't help themselves. Ezra Collective are on the cutting edge of a joyous new breed of UK jazz Read Review. Shanks & Bigfoot’s classic 90s garage anthem, ‘Sweet Like Chocolate’, also got the playful Ezra treatment, and there was also a nod to grime legend Dizzee Rascal with a new piece, ‘Sao Paolo’. Label: Ezra Collective; ASIN: B07CF6WDMV; Customer Reviews: 4.7 out of 5 stars 4 customer ratings; Amazon Best Sellers Rank: #107,713 in CDs & Vinyl (See Top 100 in CDs & Vinyl) #12135 in Jazz (CDs & Vinyl) James Mollison’s solo wades through the song effortlessly, sending us into a trance, all before its successor “Quest For Coin” further propels the journey through the streets of London (the grime influence reigns heavy in the bassline and percussion). Fundamentally, the sound itself is similar, but Ezra Collective's jazz is given more oomph; so much heart and pure unadulterated passion. View credits, reviews, tracks and shop for the 2020 Splatter Vinyl release of Dark Side Riddim / Samuel L. Riddim on Discogs. With their entire UK tour sold out, one knew to expect the very compact Patterns to be crammed full. London’s Ezra Collective are back with new music. Whilst the experimental “King Of The Jungle” reinvigorates the album’s intensity, “You Can’t Steal My Joy” takes it even further with a mad scientist approach, each member trying eagerly to get their last licks in before the grand finale. Throughout the evening, EC’s informal approach was a constant. In fact, dynamic might be a good place to start. © Complex Media, Inc. All Rights Reserved. Pioneering the new-wave of UK jazz music. The first since the release of their debut album Can’t Steal My Joy last year. Led by the phenomenal Femi Koleoso on drums, EC combine elements of jazz, funk and afrobeat with an infectious intensity that is simply startling. What an honest energy they put on that stage! Ezra Collective complete their world tour from the confines of South London, and in spite of the negativity that plagues everyday life, You Can’t Steal My Joy aims to be a guiding light. View this post on Instagram “Philosopher II” comes as a sequel to the first installment on the Juan Pablo EP, however this time the standalone Joe Armon-Jones on keys is finally given free reign, truly coming into his element. Along with Femi’s brother TJ on bass, EC is comprised of Joe Armon-Jones on keys, Dylan Jones on trumpet and James Mollison on sax. Currently you have JavaScript disabled. Label: Enter The Jungle Records - ETJ 008 • Format: Vinyl 12 Ezra Collective - Dark Side Riddim / Samuel L. Riddim (2020, Splatter, Vinyl) | Discogs Drummer is an absolute beast, the sound was great, the songs were great, the talking before songs was always inspirational and yet sincerely down to earth. Their musicianship is such that they don’t require any extra bells and whistles. The Lost & Found vocalist’s velvet tones complement Femi’s ever-expanding, creative rhythms; a coupling that has seen worldwide success on Smith’s recent tours. There was a constant dialogue on stage, in particular between the brothers, which one can imagine as a duel that has existed in many guises since childhood. Femi remarked on the metal barrier positioned to deter the audience from standing in the space behind him, claiming that they’re not that sort of band; rather, they are much more down to earth. Eager to add to the melting pot of influences, “Chris and Jane” (and later “São Paulo”) fuse the London sound with some Latin-tinged flavour. Along with the likes of Shabaka Hutchings, Kamaal Williams, Moses Boyd and Nubya Garcia, to name but a few, Ezra Collective are without doubt one of the leading lights in the new wave of UK Jazz. Click here for instructions on how to enable JavaScript in your browser. 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